When It Comes Crawling

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Why does it come crawling

As the day fades into night

To push away

And sap the joy

Of moments barely past?

I’m supposed to sit and be with it

To accept and see and name

But all I really

Want to do

Is scream please go away.

I know the balance of my life

Is far outweighed with good

From all the love

And all the hope

So I can’t help but feel I should

Be able to dispel this fear

With nothing more than breath

But when it comes

And crawls again

I shrink

And cower

And cry

All of those frustrated tears

Because willing it away

Is not enough

It’s still a part

Of what makes me

And the hardest thing

I’m yet to do

Is simply let it be.

But tomorrow is another day

And bring it rain or shine

This creepy crawly

Haunting thing

Won’t stop this life of mine.

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Hello Sunshine

Hello sunshine,

I see you’re back to

Burn me

Away.

Be a dear,

Leave the best bits

Behind.

For The Joy Of It

For a long time I have been saying that I want to write. And for a long time, I haven’t. There are all sorts of reasons for that but mainly I never had the time. Which actually means I never made the time. I never made the time because sitting down to write felt like such an indulgence; there were always other things that I ‘should’ be doing. I never made the time because I was convinced I wasn’t actually any good at writing and so what was the point. I never made the time because I was scared: here was a thing I wanted, badly, to do well at. A thing I would love to make at least part of a career out of. But what if I tried and failed? By never actually doing it I could hold onto the daydream, writing odd snippets here and there, but never risking the possibility of discovering it was never meant to be.

You’d have thought I’d have learnt by now: dreams are worth the risk, and sometimes we should try just for the joy of it.

So I have started writing. Not quite daily at this point but more than ever before. I found the key was to let go a little of my fears and doubts; actually, not to do it in the hope that it would come to anything. Not to do it for anything or anyone. Just to write for me. Because I love it. I love the feeling of creating something that wasn’t in the world before. And when I approached it like that I found that the seeds of things that had been rattling round in my head started to grow. I wrote so many poems I stopped counting. And, even more joyfully, I started to write the story that has been in my mind for more years than I care to count.

I had an outline, written and rewritten over several years, and I had an opening to the story, which I wrote about a year ago, but nothing more. Because I stopped. I even liked what I had written, although it needed some editing, but in spite of my outline I just didn’t feel I knew what the story was, so I abandoned it. It was actually my students, and a couple of lovely friends, who encouraged me to pick it back up.

I run a creative writing class at the secondary school where I work (I know, a writer who doesn’t write teaching other people how to write…the irony is not lost on me) and for some time now my students have been asking to read something I had written. So one day I decided to be brave (and yes, it did take a lot of courage to do this – teens are nothing if not direct and, sometimes, brutal with their feedback) and share that opening chapter with them. I did it as part of a session on how to constructively critique other people’s work.

Firstly, I read some of their pieces and, as I always do, gave them feedback, this time trying to demonstrate my thought process: What did I really like and why? Tell them. What did I think had potential and how could it be developed? Tell them and make suggestions. What didn’t feel right in their narrative, why and what might make it feel better? Tell them but also enquire about their choices (as this might change the reading of it), explain why it didn’t feel quite right for me and work in partnership to see how it could be developed. It’s a lovely, collaborative process and the young writers I work with are so full of enthusiasm for writing, and so want to improve, that they are genuinely open to it and take on board feedback with interest and commitment to developing themselves, and their skills as writers. It’s inspirational to watch.

Next came the part where I had to be brave. Enthusiastic though they were to receive their own constructive criticism, they are often reluctant to give it to each other, usually deferring to me to do that part, purely because their class mates are also their friends and they were afraid of hurting one another’s feelings. Hence why I offered my work up as a guinea pig. I did tell a little white lie and assured them I was very used to receiving feedback of all kinds, positive and negative (not the case because I rarely share my writing other than what I post on here) and told them they should be very honest. I promised them my feelings would not be hurt if they didn’t like it (mostly true) and that their honest opinion was more important to me as a writer than any false praise they might want to give me. That was the truth. With a deep (internal) breath I gave them my opening chapter and pretended not to wait on tenter hooks as they read it.

The first person to finish looked at me and said possibly the best thing I could have been told: “It sounds like you, Miss.”

Now something sounding like me is not necessarily praiseworthy but what that meant to me was that she felt it was authentic. And that IS praiseworthy. Some of my fear fell away. Even if they didn’t like it, whatever I had written was true enough to myself that this student recognised me in it. I hadn’t even known that was important to me until that moment. As others finished reading they said they agreed, one commented that it “read like the colour red” – she couldn’t quite explain what she meant but it felt like a compliment! In fact the compliments came rolling in along with requests for the next chapter, please, and I had to steer them back to our critiquing framework. Flattering though the positive feedback was, I wanted their honest and thought out opinions. I wanted their ideas for improvement. And I got them. Tentatively, at first, but eventually with growing confidence they pointed out turns of phrase that resonated with them and ones that didn’t; they suggested alterations to vocabulary choices; they discussed certain sentence structures and whether they flowed as well as they could; they generally proved themselves to be the perfect first readers of my long locked away opening pages. (Well, not quite the first: my mum read them too.)

I made the alterations they suggested and since then not only have I shown those pages to two other people (both adults this time and one of whom, it turns out, is writing a book of his own – we did a pages swap!) but I also picked the story back up with gusto. I now have nearly ten thousand words of the story that has been tucked away for so long. On top of that, I also got up the courage to submit four of my poems to a publishing house, for consideration for an anthology. I have no idea if anything will come of that but it doesn’t matter, because I did it. I wrote the poems for me and I took the chance to share them. That is enough.

I am under no illusions that I will be the next J.K.Rowling. I have no idea whether any of my work will ever be published. But it turns out that it’s not the publishing that makes you a writer. It’s the writing. Just for the joy of it.

Any writers out there: what’s your work in progress? What stops you writing and how do you get over it?

Poems From The Library

Today is World Poetry Day and I had the pleasure and privilege of accompanying a group of students to our local care home, where they performed poetry they had written for the residents. It was a wonderful and moving experience to see these young people engage with such care, kindness, and interest with the older generation in our community. It was also a true testament to the power of poetry to move and inspire.

The students involved revelled in the opportunity to create poetry, several of them never having attempted anything like it before. The whole experience reinforced my own love of the poetic word and prompted me to reflect on my own experience of writing poetry. Unlike with other forms of writing, I often find that poems materialise inside me in a very natural way. Writing stories, articles, and blog posts usually takes a conscious effort of considered construction, but poetry often seems gifted to me.

I heard a wonderful TED Talk by Elizabeth Gilbert in which she shares Ruth Stone’s poetic process:

“…when she felt it coming – because it would, like, shake the earth under her feet – she knew that she had only one thing to do at that point, and that was to – in her words – run like hell. And she would, like, run like hell to the house. And she’d be getting chased by this poem. And the whole deal was that she had to get to a piece of paper and a pencil fast enough so that when it thundered through her, she could collect it and grab it on the page. And other times, she wouldn’t be fast enough. So she’d be, like, running and running and running and the – she wouldn’t get to the house, and the poem would, like, barrel through her. And she would miss it. And she said it would continue on across the landscape looking, as she put it, for another poet.”

My own experience of being discovered (or chased!) by an emerging poem is not quite so dramatic but I can completely relate to the idea of a poem coming to the poet! Don’t get me wrong, my poems don’t just blink into life fully formed before me. I usually find that they sneak up on me and then just part of it will just appear to my consciousness very suddenly. It is like seeing something glinting in the grass and when I pick it up it becomes a thread for me to follow. I follow the thread and hope I can figure out where it was supposed to lead. I weave it into something new and hopefully capture that moment in time.

Lat summer, I was lucky enough to stay at Gladstone’s Library – something which I HIGHLY recommend to any writer or bookworm – and my time there really rekindled my love of writing poetry. One poem found me whilst I was writing in the library late one night and I thought I would share it with you today:

Night birds sing their sunset tune,

As the eloquence of trees is cloaked in shadow.

The final note rings out the day

And silence envelopes the warm, red brick.

But lights still glow through the leased windows,

And gentle figures sit in quiet reverence,

Breathing deep the ink and parchment dust

Of ages past.

Walked in by layers of words and prayers and panelled oak,

Held close by the carved pillars and balustrades

That guard the ancient knowledge of the library;

They sit

And seek

A knowledge of their own.

Outside the darkness creeps

And chases off the warmth of day

But inside the write by their own cones of light,

Cocooned in the low steady burn of ideas.

And even as the lights dim and blink out,

One

By one

By one,

And heavy heads hit feather pillows, to

Dream

And dream

And dream,

The seemingly slow and silent life of the library,

Carries on it’s endless forays into

History and Destiny and Fantasy,

Because imagination never sleeps.

Searching

Are we all

Caught

In an endless search?

For love

For faith

For fulfilment

For purpose

For understanding

For peace

For comfort

For home

For away

For that certain

Unnameable

Something

That we crave

Without knowing

What it is.

Is the whole of

Humanity

Caught

In an endless seeking?

A seeking in which

Every time we find

What we thought

We were looking for

There appears

On the horizon

Something

Else

That catches the light

And with it

Our

Fleeting

Eye

And the thing we previously

Sought

With all our

Heart

And

Mind

And

Energy

Hangs forgotten

From our hands.

A discarded toy.

Maybe we leave behind us

A debris trail

Of Found Things.

The list of what

We need want

Goes on

And on

And on

And on

But maybe

What we really want need

Is not the

Thing

We are searching for

So unceasingly

But the searching itself.

Because without looking,

Without flipping the stone

Following the unmarked path

Peering round the next bend

Turning the page

Asking

The Question,

How would we ever

See

And

Know

And

Love

The world?

Maybe when they said

“Seek and you shall find”

They were right.

Winter

Just when it seems

That the world has

Withdrawn

Into itself

And skeletal trees stand testament to a

Lifeless

Season,

We hang stars on every branch and bough

And light candles in every window,

Bringing warm hope

To the cold night.

 

When it seems the whole world should be

Hibernating,

Hidden away and

Waiting

In quiet solitude

For the Sun’s return,

We gather.

Stories and laughter and gifts

Of Time

Or Trinkets

Are shared

Over vats of mulled goodness

Under a man-made Milky-Way.

 

And when the sharing is done

A sleepy

Silence

Settles itself,

Like a thick, woollen throw, around our weary shoulders.

We sigh and allow our stuffed selves to

Drift

Into a contented sleep

With a wish of snow upon our lips

And,

If we’re lucky,

We wake to find the world muted and muffled

By a new kind of

Magnificence.

And we are reminded of the

Beauty

That can be found in a

Blank

Page.

Come Home To Rest

The Earth smoulders

With the turning of the season

And the clouds drift down

To kiss the burning land.

A veil of tears

Lands softly on flaming leaves

But even heaven’s weeping

Cannot dull the

Rioting palette

Of autumn’s inferno.

And when the most parts,

Making way for the pale light

Of winter’s promise,

And the chill of year’s end

Arrives on the breath of the hills,

The leaves curl and crisp underfoot,

Rustling their accompaniment to fading birdsong.

Polished conkers gleam amongst summer’s debris.

Woodsmoke hangs in the air,

The crackle of logs echoing in the quiet.

The world exhales

A long sigh of letting go.

As though, after a long day,

She has come home to rest.

Palette of Spring


The world stretches awake

Inhales the first warm breath of the year

Exhales a languorous perfume

Which settles over gently unfurling buds

Nature’s confetti scattered on brightly verdant grass

Drifts in swirls and eddies

A lazy waltz 

To the tune of changing seasons

Endless sky opens up above

The fresh faced sun beaming

Over the brightly hued

Palette of spring